Supriyo Sengupta – KARIGORI KOBIYAL

Electrical Engineer • Educator • Author • Creative Innovator • Technorhyme Creator • AIR Kolkata Drama Artist • Cultural Creator • Record Achiever

Introduction

Supriyo Sengupta, popularly known by his creative identity KARIGORI KOBIYAL, is an experienced Electrical Engineer, educator, author, creative innovator, cultural performer and technical-content creator from West Bengal, India.

With more than 32 years of professional experience in Electrical Engineering, Sengupta has built a successful technical career while simultaneously pursuing his passion for education, Bengali literature, cultural expression, music, radio performance and creative communication.

Alongside his engineering profession, he is also associated with AIR Kolkata (Akashvani) as a Drama Artist, adding another important dimension to his artistic and cultural journey.

His work is distinguished by an unusual yet meaningful combination of technology and poetry, engineering and literature, education and cultural heritage.

Two of the most significant creative concepts associated with him are:

• World’s First International Form of Bengali Radio Program “MAHISASURA MARDINI”

• World’s First Technorhyme in Bengali on Basic Electrical Technology

According to the information provided for his profile, his innovative creations have also received recognition from the India Book of Records.

At the heart of Sengupta’s work lies a powerful philosophy: technical knowledge and traditional culture need not remain confined to conventional formats. Through language, rhythm, music, voice, storytelling and creative presentation, knowledge can be made more engaging, memorable and accessible to future generations.

More Than 32 Years of Electrical Engineering Experience

A major foundation of Supriyo Sengupta’s professional identity is his extensive experience in the field of Electrical Engineering.

With more than three decades of experience, he has developed a deep understanding of electrical technology, practical engineering concepts and technical education.

His long professional journey has given him the ability not only to understand complex technical concepts but also to explore unconventional methods of explaining them.

This practical engineering experience eventually became one of the inspirations behind his unique concept of Technorhyme, through which technical knowledge is expressed using Bengali rhyme and literary creativity.

For Sengupta, engineering is therefore not limited to machinery, systems, diagrams and calculations. It is also a field that can be communicated through imagination and language.

Drama Artist at AIR Kolkata – Akashvani

In addition to his professional and educational pursuits, Supriyo Sengupta is a Drama Artist associated with AIR Kolkata (Akashvani).

His involvement with radio drama reflects his interest in voice performance, storytelling, dramatic presentation and Bengali cultural expression.

This experience in radio and performance also complements his work connected with the international presentation of Mahisasura Mardini, where voice, narration, music and cultural storytelling play an important role.

His identity therefore represents a rare combination of:

Engineering Knowledge • Literary Creativity • Radio Performance • Bengali Culture • Educational Innovation

International Form of Bengali Radio Program “MAHISASURA MARDINI”

One of the most significant aspects of Supriyo Sengupta’s creative identity is his work associated with “MAHISASURA MARDINI.”

He describes his creation as the:

“WORLD’S FIRST INTERNATIONAL FORM OF BENGALI RADIO PROGRAM ‘MAHISASURA MARDINI’”

The concept was developed with the vision of taking the traditional spirit and cultural significance associated with Bengali Mahisasura Mardini beyond its conventional audience and presenting it in a format intended for broader international reach.

For Sengupta, Mahisasura Mardini is much more than a radio presentation.

It represents generations of Bengali cultural memory, devotion to Goddess Durga, artistic narration, music and a deeply rooted tradition associated with Bengal.

His creative approach seeks to preserve the emotional and cultural essence of the tradition while presenting it through a broader and internationally oriented format.

The phrases “Supriyo Sengupta,” “KARIGORI KOBIYAL,” “International Form of Bengali Radio Program” and “MAHISASURA MARDINI” therefore form an important part of his professional and creative identity.

Notable Achievements & Creative Milestones

A major highlight of Supriyo Sengupta’s creative journey is his innovative work in combining Bengali language, technical education, rhythm, and literature into a distinctive educational format.

He achieved his second copyright recognition for the creation titled “WORLD’S FIRST TECHNORHYME IN BENGALI ON BASIC ELECTRICAL TECHNOLOGY,” further strengthening his identity as an innovator in creative technical education.

Another significant milestone came with his book “KARIGORI SAHOJPATH,” a unique creation featuring 501 Technorhymes. The work earned him his second recognition from the India Book of Records, marking another important achievement in his literary and educational journey.

Through these accomplishments, KARIGORI KOBIYAL continues to demonstrate how complex technical concepts can be presented in an engaging, memorable, and culturally rooted Bengali format.

Featured Book

KARIGORI SAHOJPATH
Creation of 501 Technorhymes

Copyright Registrations and Documented Intellectual Property

An important documentary dimension of Supriyo Sengupta’s creative journey is represented by his copyright registrations.

According to the documents and information provided for his profile, his intellectual-property record includes:

Copyright Registration No. L-75727/2018

Registration Date: 31 May 2018
Class of Work: Literary / Dramatic Work
Title: THE DEMON SLAYING GODDESS DURGA
Language: English
Applicant / Copyright Owner: Supriyo Sengupta
Author: Nirmal Chandra Saha
Publication Status: Unpublished

The copyright record identifies Supriyo Sengupta as the owner of the work.

Additional Copyright Registration

Copyright Registration No.: LD-2440/2025-CO

This additional copyright registration further strengthens the documented intellectual-property dimension of his creative and educational work.

Important Intellectual-Property Clarification

The registrations associated with Supriyo Sengupta’s works are copyright registrations, not patents.

Therefore, the accurate professional description is:

Supriyo Sengupta is associated with documented copyright registrations, including Copyright Registration No. L-75727/2018 and Copyright Registration No. LD-2440/2025-CO.

Using correct intellectual-property terminology is important because it strengthens the credibility and professional accuracy of his profile.

“THE DEMON SLAYING GODDESS DURGA”

The copyrighted work “THE DEMON SLAYING GODDESS DURGA” forms a significant part of Supriyo Sengupta’s documented cultural and intellectual-property profile.

The work is registered under the category of Literary / Dramatic Work and is connected thematically with Goddess Durga and the cultural narrative surrounding the triumph over Mahisasura.

The copyright record identifies Supriyo Sengupta as the copyright owner, while his English teacher Sri Nirmal Chandra Saha is recorded as the author of the principal script.

However, Sengupta’s contribution extends significantly beyond ownership.

According to the information provided for his profile, Supriyo Sengupta edited the script, developed the actual tune in a style inspired by the traditional Bengali Mahisasura Mardini presentation and recorded the script in his own voice.

Through these contributions, he played an important creative role in transforming the written script into a complete cultural presentation.

For this reason, his role can appropriately be described as that of a:

Cultural Creator

His contribution represents the integration of editing, musical interpretation, voice performance, presentation and cultural adaptation.

KARIGORI KOBIYAL – Where Technology Meets Poetry

The creative name KARIGORI KOBIYAL represents one of the most distinctive aspects of Supriyo Sengupta’s personality.

The Bengali expression combines two ideas:

Karigori — technical knowledge, engineering and craftsmanship.

Kobiyal — poetic expression, rhythm, literature and cultural creativity.

Together, they represent Sengupta’s attempt to bring technology and poetry onto the same platform.

Rather than viewing engineering and literature as unrelated disciplines, Sengupta has explored innovative ways of combining them.

This philosophy led to one of his most distinctive creations:

“WORLD’S FIRST TECHNORHYME IN BENGALI ON BASIC ELECTRICAL TECHNOLOGY”

World’s First Technorhyme in Bengali on Basic Electrical Technology

The Technorhyme in Bengali on Basic Electrical Technology is one of the most innovative components of Supriyo Sengupta’s creative and educational identity.

The idea emerged from his extensive experience as an Electrical Engineer and his deep interest in Bengali language, rhyme and creative teaching.

Technical education is traditionally presented through:

Definitions • Formulas • Diagrams • Calculations • Textbooks • Classroom Lectures

Sengupta explored a different approach.

Through Technorhyme, basic electrical concepts are communicated using Bengali rhyme, rhythm and literary expression.

The objective is to make technical education more engaging and memorable while allowing learners to connect engineering concepts with their native language.

This approach reflects an important educational principle: people often understand and remember difficult ideas more effectively when information is communicated through a familiar linguistic and cultural framework.

Technorhyme therefore represents more than creative writing.

It represents an experimental educational methodology that brings together:

Electrical Engineering + Bengali Language + Poetry + Rhythm + Technical Education

This creative combination lies at the heart of the identity KARIGORI KOBIYAL.

Innovation in Technical Education

As an experienced Electrical Engineer and educator, Sengupta believes that complex technical subjects can become easier to understand when teaching moves beyond conventional methods.

His Technorhyme initiative attempts to make basic electrical knowledge:

More Accessible • More Memorable • More Creative • More Culturally Connected

Instead of separating technical education from literature, Sengupta demonstrates how the two can complement each other.

His work therefore stands at the intersection of:

Engineering • Education • Bengali Language • Poetry • Technology • Cultural Communication

India Book of Records Recognition

According to the information provided by Supriyo Sengupta, he has received two India Book of Records recognitions for two distinctive creations.

These recognitions are associated with his innovative works connected with:

International Form of Bengali Radio Program “MAHISASURA MARDINI”

and

World’s First Technorhyme in Bengali on Basic Electrical Technology

These achievements form an important part of his journey as an educator, engineer and creative innovator seeking unconventional ways to communicate cultural and technical knowledge.

Pride of India Recognition

Supriyo Sengupta’s achievements also include recognition through the Pride of India Award from SAIARD, according to the information provided for his professional profile.

This honour, together with his record achievements and copyright registrations, adds another dimension to a career that connects engineering, education, creativity, technology, literature and cultural expression.

Author, Performer and Cultural Creator

Alongside his engineering career, Sengupta’s identity as an author, radio performer and cultural creator remains central to his journey.

His body of work reflects an ongoing search for new methods of communicating both Bengali cultural traditions and technical knowledge.

At first glance, his two major creative directions may appear completely different:

One is connected with Mahisasura Mardini, Goddess Durga and Bengali cultural heritage.

The other deals with Basic Electrical Technology and engineering education.

Yet both are connected by the same philosophy.

In each case, Sengupta takes established knowledge or tradition and presents it through a new creative form.

Vision Behind KARIGORI KOBIYAL

Through KARIGORI KOBIYAL, Supriyo Sengupta seeks to build a creative identity where:

Education is not confined to textbooks.

Engineering is not confined to formulas.

Poetry is not confined to literature.

Culture is not confined to the past.

His vision is based on bringing these fields together through language, voice, music, rhyme, performance and innovative communication.

His creative philosophy can be understood through four major pillars:

Innovation in Technical Education

Developing creative ways of presenting electrical and technical knowledge.

Innovation in Cultural Presentation

Reimagining Bengali cultural traditions for wider and potentially international audiences.

Preservation Through Reinvention

Preserving cultural identity while introducing contemporary forms of presentation.

Technology Through Language

Making technical education more relatable through Bengali language and poetic expression.

Professional Identity

Full Name: Supriyo Sengupta
Creative Identity: KARIGORI KOBIYAL
Nationality: Indian
Region: West Bengal, India
Profession: Electrical Engineer
Professional Experience: More than 32 Years
Additional Role: Drama Artist, AIR Kolkata (Akashvani)
Fields: Electrical Engineering, Education, Writing, Creative Innovation, Cultural Performance, Technical Education and Radio Drama

Known For:
World’s First International Form of Bengali Radio Program “MAHISASURA MARDINI”
World’s First Technorhyme in Bengali on Basic Electrical Technology

Record Recognition: Two India Book of Records recognitions, according to information provided

Award Recognition: Pride of India Award from SAIARD

Copyright Ownership: “THE DEMON SLAYING GODDESS DURGA”

Copyright Registration: L-75727/2018

Additional Copyright Registration: LD-2440/2025-CO

Copyright Authority: Copyright Office, Government of India

Creative Contribution: Script Editing, Musical Creation, Voice Recording, Cultural Presentation and Technorhyme Development

Legacy and Continuing Journey

The journey of Supriyo Sengupta – KARIGORI KOBIYAL represents the meeting point of engineering, education, technology, poetry, performance and Bengali cultural heritage.

His more than 32 years of professional experience as an Electrical Engineer provide the technical foundation of his career, while his association with AIR Kolkata (Akashvani) as a Drama Artist reflects his parallel connection with culture, voice and performance.

His work associated with the International Form of Bengali Radio Program “MAHISASURA MARDINI” demonstrates his ambition to present a culturally significant Bengali tradition before wider audiences while preserving its emotional and spiritual essence.

The copyrighted work “THE DEMON SLAYING GODDESS DURGA” further reflects this creative journey.

Although Sri Nirmal Chandra Saha, his English teacher, is recorded as the author of the principal script, Sengupta’s contribution included editing the script, developing its tune in the spirit of Bengali Mahisasura Mardini and recording the presentation in his own voice.

These contributions establish his broader role as a Cultural Creator, bringing together literature, music, performance and cultural interpretation.

Equally important is his second major creative direction:

World’s First Technorhyme in Bengali on Basic Electrical Technology

This creation represents a unique attempt to transform conventional technical education into a creative learning experience.

Drawing upon decades of professional engineering experience, Sengupta has sought to communicate basic electrical concepts through Bengali rhyme and rhythmic expression.

The Technorhyme concept is significant because it challenges the traditional separation between science and literature.

Electrical technology is normally communicated through formulas, diagrams and technical terminology. Sengupta’s approach adds another dimension by introducing language, rhythm and imagination into technical learning.

Through this concept, technical education becomes connected with the learner’s cultural and linguistic environment.

His additional Copyright Registration No. LD-2440/2025-CO further represents the continuing development of his intellectual and creative work.

Together, his copyright registrations, India Book of Records recognitions, engineering career, AIR Kolkata association, cultural initiatives, Technorhyme creation and educational experiments define the evolving identity of KARIGORI KOBIYAL.

His journey ultimately carries a distinctive message:

“Innovation does not always mean leaving tradition behind. Sometimes, true innovation is the ability to give knowledge and tradition a new language through which they can travel further.”

And the philosophy of KARIGORI KOBIYAL can perhaps be expressed most simply as:

“Where Engineering Finds Rhythm, Technology Finds Poetry, and Tradition Finds a New Voice.”